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    <title>Recording Notes</title>
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    <updated>2008-02-08T06:19:35Z</updated> 
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    <id>tag:vox.com,2006:6p00d41438240f685e/</id> 
    <subtitle>Like &quot;notes&quot; both ways, get it?</subtitle>  
    
    <entry>
        <title>Upstate Escape</title>   
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        <published>2008-01-29T20:12:50Z</published>
        <updated>2008-02-08T06:19:35Z</updated>
    
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        <p>On January 19th and 20th of 2008 the band Upstate Escape drove down from Ithaca to record a couple of tunes. I&#39;m often asked the question of how long will it take to record a song, and I always have to answer: it depends. If you&#39;re cutting tracks live (all playing together), and not overdubbing, the process is usually much faster. Say you are a bluegrass band all standing around one mic, going for the best take, you may be able to record an album in a day. If the band is planning to overdub each part separately, you can&#160; imagine that the recording will take much longer. I was really excited to hear that Upstate Escape only wanted to record 2 songs that weekend (I&#39;ve come to think that at Dryhill one song a day is a solid goal.) The band is a three piece with John Norwood playing guitar
and singing, Chris Bentley playing bass, and Ryan Silvernail playing drums. They recorded each song by overdubbing each part for a keeper. It began with Ryan playing drums, while John was in the listening room laying down a scratch guitar and vocal track. Ryan brought in a DW kit which we got set up and miced in about an hour and a half. We started with Beyerdynamic m160s for overheads, running into the Sytek.<br />
    
    
    

    
    
    

    
    
    
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<br /> <div id="{DD2D1883-54CF-430C-A781-D0D17AB5034E}">Next we put a Shure sm81 on the high hat, 2 shure sm57s above and below the snare, and 3 Shure ksm32s on the toms (this is starting to sound like an advertisement for shure mics), all going into the Soundcraft pres.<br />
    
    
    

    
    
    

    
    
    
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 Then we tented the kick drum and put up a Shure beta52 on the kick and a Neumann M149 at the end of the tent.<br />
    
    
    

    
    
    

    
    
    
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<br />The Kick sound was a bit too flabby for me, so we took the tent away, and stuck with the beta52 up close, running into the HHB Radius 40 pre, with just a bit of 250hz down on the eq. I also threw up the AEA R92 as a room mic.<br />
    
    
    

    
    
    

    
    
    
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<br />After getting keeper drum tracks we moved Johns Vox AC30 into the live room, and miced it with a Shure SM57, the AEA R92, and the M149 as a room mic. I loved the sound that John was getting out of his amp, and having the 149 up gave us options with how closely we wanted to place the guitar in the mix.<br />
    
    
    

    
    
    

    
    
    
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John records all the tunes (and all the parts) himself and then plays them with the band, which made tracking guitar ideas a lot easier. We&#39;d track choruses and verses separately (usually doubled),&#160; and John wrote his parts with the final panning already in mind (so guitar solos would swing from left to right etc.) After finishing the guitar we struck the drum set and set up the Shure SM7 for the vocals (with the M149 as the room again.) Lastly we recorded Chris playing bass through a Ampeg SVT head into a Kustom Cab. I miced the Kustom with a Ksm32, and also ran the bass into a Countryman D.I.<br />
    
    
    

    
    
    

    
    
    
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My favorite part of the project was that when we got down to mixing, the songs seemed to take care of themselves.&#160; We got relative levels for the tracks, there was basically no eq&#39;ing, some compression from the Distressors, and that was about it. Both songs were bounced in 2 hours.The goal of the recording was to capture the bands sound as they might sound live, below is an Mp3 of one of the songs.<br />
    
    
    










    
    
    










    
    
    









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</div><div id="{2F30EF04-DDD3-4180-BDFD-070E9613EF73}"><br /></div></p>   <p style="clear:both;"> 
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    <entry>
        <title> Gibbs, Bulkin, and Balins</title>   
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        <published>2008-01-22T22:47:48Z</published>
        <updated>2008-02-08T06:21:22Z</updated>
    
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        <p>Once in a while I get to play some music myself, and one evening this past October I invited 2 friends to come by the studio to play some music. The following track is a result of that evening

    
    
    





        






    
    
    





        





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                <div class="enclosure-asset-subtitle overflow-hidden"> Gerrit Gibbs, Seth Bulkin, Andris Balins</div>
            
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<p>The track was a live improvisation, originally about 8 minutes long, here edited down to about 3 minutes. </p>
<p>Seth Bulkin was playing acoustic bass, miced with a Neumann M149 (placed about 3&#39; above the ground, and about 2&#39; in front of the bass) and amplified with the tl audio pre.</p>

    
    
    

    
    
    
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<p>Gerrit Gibbs was playing a mix of our Gretsch kit and the Slingerland, with dowel sticks. The micing was minimal, 2 Beyerdynamic m160s as overheads, shure sm57 under the snare, and a shure beta 52 on the kick.</p>
<p>&#160;</p>

    
    
    

    
    
    
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<p>And the rhodes was run through a electro harmonix qtron pedal, and into a countryman d.i. (with a little echofarm tape delay added in pro tools.)</p>
<p>&#160;</p>

    
    
    

    
    
    
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<p>It was a fun night, and I appreciated the chance to get to record a bit myself.</p>

    
    
    

    
    
    
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                <div class="enclosure-asset-name"><a href="http://andris.vox.com/library/photo/6a00d41438240f685e00e398d528860005.html" title="another song with Gerrit playing banjo">another song with Gerrit playing banjo</a></div>
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</p>   <p style="clear:both;"> 
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    </entry> 
    
    <entry>
        <title>Newspaper Joe</title>   
        <link rel="alternate" type="text/html" title="Newspaper Joe" href="http://andris.vox.com/library/post/newspaper-joe.html?_c=feed-atom-full" />  
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        <link rel="enclosure" href="http://a7.vox.com/download/6a00d41438240f685e00e398ce1d870003-pi.mp3" type="audio/mp3" length="6427044" />            <id>tag:vox.com,2008-01-02:asset-6a00d41438240f685e00e398ce04d40002</id>
        <published>2008-01-02T17:37:48Z</published>
        <updated>2008-02-08T06:23:48Z</updated>
    
        <author>
            <name>Andris</name>
            <uri>http://andris.vox.com/?_c=feed-atom-full</uri>
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<p class="MsoNormal">&quot;<em>Lazarus, Gin, Mercy and Sin</em>&quot; was
recorded at Dryhill on April 27th, 28th, and 29th 2006. We decided to record
all the basic tracks to the 8 track Otari reel to reel with a tape speed of 7.5
i.p.s., quantegy 456 tape, and no noise reduction. Eliminating the computer during tracking created a totally different atmosphere that brought more focus to capturing the right performance (I also enjoyed not having to look at a monitor.) <br /></p><p class="MsoNormal">&#160;After tracking guitar, drums, bass, and vocals, we transferred the tracks to
pro tools for editing and additional overdubs. Most of the tracks on the album
were recorded live, with some songs receiving minimal overdubs. <br /></p><p class="MsoNormal">Mike was playing
his Fender acoustic on most tunes, typically miced with a shure sm57 going
through the tl audio tube mic pre. His vocals were recorded with a couple of different mics, but most often it was the shure sm7 into the Sytek mic pre (both mics can be seen in the picture below.)
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<p class="MsoNormal"><br />
 Bryon&#39;s bass was a combination of a
countryman d.i. and a LDC on an Ampeg SB-12 bass amp (Bryon had a great reverb pedal that really added to the amp sound.) Andy played a stripped down
kit that was miced with Earthworks QT1&#39;s in X/Y over the set, and an audio technica 4050 on the kick, and shure57 on the snare&#160; (in the picture below the overheads were pulled away from the kit for backup vocals.)
    
    
    
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<p class="MsoNormal">The third track on the album (best of luck), started out a bit differently than other songs on the album. I found a drum loop on the optigan keyboard at the studio that fit the song and Mike recorded vocals and acoustic guitar to the loop. Then Bryon and Andy came in halfway through the song, the real drums replacing the loop. In the picture below you can see me at the optigan recording the loop, and below I posted an mp3 of the song.
    
    
    
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<p><br /><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal">
    
    
    





        





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<p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal">We were all pretty out of it after tracking was done (and our foray into a pack of steel reserve that ranks up there with one of the worst beers I have ever had.) So we all took a walk in&#160; Neawah park to catch up on some sunlight.
    
    
    
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<div id="{FC5A8BD2-B752-4C14-B9D7-E316AAF1A755}"><span id="{EBEA4037-AEC2-4A9A-9792-DB764A9690CD}" style="font-size: 12pt; font-family: &quot;Times New Roman&quot;;">Mixing took place June 6th and 7th</span> with myself and Mike at the board. We mixed the album on the Soundcraft mixer each taking a handful of faders. The vocal reverb used was a hammond organ spring reverb that we patched an aux send out to. One of the hardest parts was figuring out the track order of the album, you can check it out at <a href="http://www.newspaperjoe.com">www.newspaperjoe.com</a><br /></div><div id="{7DB5757D-A91C-416C-863F-1F8F5239B4AF}"><br /></div></p>   <p style="clear:both;"> 
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        </content> 
    </entry> 
    
    <entry>
        <title>The Infinite Gallodoro</title>   
        <link rel="alternate" type="text/html" title="The Infinite Gallodoro" href="http://andris.vox.com/library/post/the-infinite-gallodoro.html?_c=feed-atom-full" />  
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        <published>2007-11-15T20:30:46Z</published>
        <updated>2008-02-08T06:25:43Z</updated>
    
        <author>
            <name>Andris</name>
            <uri>http://andris.vox.com/?_c=feed-atom-full</uri>
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        <p><br />In the next couple of posts I&#39;m going to write about some of the recordings that are available for download on <a href="http://dryhillstudios.com/artists/">www.dryhillstudios.com/artists/</a>&#160; The first recording I wanted to cover is Deep Night from the Gallodoro album <a href="http://www.algallodoro.com/discography.htm"><em>The Infinite Gallodoro</em></a>. This was one of the first recordings that I did after construction started on Dryhill Studios, and we decided to track the band at the <a href="http://www.westkc.org">West Kortright Center</a> and mix it at Dryhill. We chose the Center because of its great
 room sound, and ample space to do a live band recording. I also do live sound at the center during the performance season, so I was already familiar with the hall. Disc 1 of <em><a href="http://www.algallodoro.com/discography.htm"><em>The Infinite Gallodoro</em></a> w</em>as recorded in two sessions July 20th and 21st 2004. The first session was just Al Gallodoro (playing alto saxophone, clarinet, and bass clarinet) and Joann Bertone Chmielowski (playing piano), and the second was with the full band including Tom Wetmore (playing bass) and Lou Colone playing drums. <br />Before recording the album I had talked to Al and Joann about the sound that they wished to achieve in the recording. We decided to record the album  using our Otari 8 track analog reel to reel machine, and then a transfer to Pro Tools where any needed editing could be done<br />
    
    
    

    
    
    

    
    
    

    
    
    

    
    
    
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 The micing setup for the duo session was an Audio Technica 4050 microphone placed near Al&#39;s horn, an Earthworks QTC1 microphone placed a bit further away, another QTC1 placed near the piano, and 2 Shure KSM32s in xy stereo pattern in the room. We used Sytek and tl audio microphone preamps.
    
    
    

    
    
    

    
    
    

    
    
    

    
    
    

    
    
    
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 When Lou and Tom arrived we added a Shure KSM32 to pick up the Bass (along with a D.I.), and the Earthworks QTC1 on the Drum kit.
    
    
    

    
    
    

    
    
    

    
    
    

    
    
    

    
    
    
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When Mixing the album we used quite a bit of the room mics, and added the close mics to supplement the overall sound. Our goal was to capture the sound of a live band playing together, relying less on the more modern close miced sound. It was also my goal to avoid what I hear as a &quot;glossy&quot; sound in many modern jazz recordings which was one of the reasons we chose to record to the Otari reel to reel, trying to avoid excessive editing and punching in.<br /><div style="text-align: center"><span style="color: #373e76; font-size: 1.25em;">Download or listen to &quot;Deep Night&quot; by Al Gallodoro at <a href="http://www.dryhillstudios.com/artists/">dryhillstudios.com/artists</a></span><br />
</div><br />
 <div id="{05E01138-4A4E-4260-BF4F-DD158D532EC3}"><br /></div></p>   <p style="clear:both;"> 
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    <entry>
        <title>Thank you for Dia de los Muertos con Dryhill</title>   
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        <published>2007-11-05T03:50:14Z</published>
        <updated>2007-11-07T17:21:05Z</updated>
    
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            <name>Andris</name>
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        <p>&#160;</p>

    
    
    
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<p>Thank you so much for an awesome night at <a href="http://autumncafe.com/">The Autumn</a>.&#160;Great vibe, great energy,&#160;great way to start the winter!</p>
<p>A&#160;special thanks to the artists:</p>
<p>&#160;</p>
<p>&#160;</p>
<p></p>

    
    
    
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<p style="text-align: center"><a href="http://myspace.com/danielcolemusic">Dan Cole</a></p>
<p>&#160;</p>
<p>&#160;</p>

    
    
    
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<p style="text-align: center"><a href="http://myspace.com/2012industries">2012</a></p>
<p>&#160;</p>

    
    
    
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<p style="text-align: center"><a href="http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&amp;friendid=83052393">Jack Calico</a></p>
<p>&#160;</p>
<p>&#160;</p>
<p>&#160;</p>
<p></p>

    
    
    
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<p></p>
<p style="text-align: center"><a href="http://myspace.com/newspaperjoe">Newspaper Joe</a></p>
<p>And a very, very special thanks to everybody that got down:</p>
<p>&#160;</p>

    
    
    
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<p></p>

    
    
    
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<p></p>

    
    
    
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<p></p>
<p>The response to the <a href="http://dryhillstudios.com/">new website</a>&#160;has been amazing and we&#39;re really looking forward to things to come.</p>
<p>As for this blog, I intend on writing about music in my life, whether it be at the studio, teaching, or just listening.&#160; Hope to see you back here soon!</p>   <p style="clear:both;"> 
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                </div>
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        </content> 
    <category term="autumn" scheme="http://andris.vox.com/tags/autumn/" label="autumn" /> 
    <category term="muertos" scheme="http://andris.vox.com/tags/muertos/" label="muertos" /> 
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